Just keep my name outta yo' mouth and we can keep it the same
It ain't that I'm too big to listen to the rumors
It's just that I'm too damn big to pay attention to 'em
That's the difference
DOCTOR:
Not so sick, my lord, As she is troubled with thick-coming fancies, That keep her from her rest.
MACBETH:
Cure her of that. Canst thou not minister to a mind diseased, Pluck from the memory a rooted sorrow,
Raze out the written troubles of the brain, And with some sweet oblivious antidote Cleanse the stuff'd bosom of that perilous stuff Which weighs upon the heart?
The National Film Institute of The Netherlands has just opened an exhibition about Stanley Kubrick. Screening all of his
feature films, short films and exhibiting his screenplays,
storyboards, set props, and early photos. They even promise to reveal a selection of some of his shelved film projects.
The breaking line is where I walk, or where I sometimes think I do. On the breaking line you can hear things getting ready to crack, the ground, the walls of air, the sealing sky. Other people walk here but I don’t see them. The lines are always somewhere else, they never cross. No lines cross, no figures loom, all are alone on the breaking line.
Despite my ramblings and moaning mourning of Californian sun, Sardegna villas and Parisian Nutella crepe hawker vans versus another damn taco truck, I do love this city, very much, it's family and I will always call it home.
After seeing the incredibly cool and very well designed California Design, 1930–1965: "Living in a Modern Way" exhibition at LACMA and then purchasing the equally inspiring catalogue, catching this doco was a no brainer. There are now only a few days left to catch the insightful, sweet and inspiring doco on Charels and Ray Eames - Eames: The Architect and The Painterat ACMI and I highly recommend it.
From architecture and art to film making and industrial design, these guys made magic.
Winner of the San Francisco International Film Festival Award, 1958, this portrayal of the Mexican Day of the Dead consists of still shots reflecting the annual
Mexican celebration of “All Souls Day”.
I ask you - who else would design a kite of this caliber?
A little perspectivefrom their most famous 1968 film about orders of magnitude.
Dream Living - Case Study House #8
(the building I chose at uni to learn CAD many moons ago)